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Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Installation view, Time Travel, Italian Masters through a Contemporary Lens, Petzel, 2023

Master of Hartford (Early 17th Century, Rome), Still life with fruit, vegetables and a vase with flowers on a table

Master of Hartford (Early 17th Century, Rome)

Still life with fruit, vegetables and a vase with flowers on a table

Oil on canvas

47 1/4 x 65 3/4 inches

120 x 167 cm

Artemisia Gentileschi (Rome, 1593-Naples, 1656) and Bernardo Cavallino (Naples, 1616-1656), Bathsheba at her bath

Artemisia Gentileschi (Rome, 1593-Naples, 1656) and Bernardo Cavallino (Naples, 1616-1656)

Bathsheba at her bath

c.1636-1638

Oil on canvas

73 x 57 1/4 inches

185.2 x 145.4 cm

Giovanni Antonio Canal, called Canaletto (Venice, 1697 – 1768), The Prisons of St Mark

Giovanni Antonio Canal, called Canaletto (Venice, 1697 – 1768)

The Prisons of St Mark

Oil on canvas

41.46 x 50.2 inches

105.3 x 127.5 cm

Gerrit van Honthorst (Utrecht 1590 - 1656), A seduction scene

Gerrit van Honthorst (Utrecht 1590 - 1656)

A seduction scene

c.1610

Oil on canvas

42 x 52 1/4 inches

107 x 133 cm

Antiveduto Gramatica (Siena, 1571 – Rome, 1626), David returning triumphant with the head of Goliath

Antiveduto Gramatica (Siena, 1571 – Rome, 1626)

David returning triumphant with the head of Goliath

Oil on canvas

56 x 77 3/4 inches

142.5 x 197.5 cm

Anton Maria Vassallo (Genoa, c.1620 – Milan, 1664/1672), The Cook in the Pantry

Anton Maria Vassallo (Genoa, c.1620 – Milan, 1664/1672)

The Cook in the Pantry

Oil on canvas

58 1/4 x 78 3/4 inches

148 x 200 cm

Luca Forte (Naples, 1615 – ante 1670), A garland of pomegranate, grapes, peaches, corn, figs, lemons and other fruits and vegetables, with guinea fowls in the foreground

Luca Forte (Naples, 1615 – ante 1670)

A garland of pomegranate, grapes, peaches, corn, figs, lemons and other fruits and vegetables, with guinea fowls in the foreground

Oil on canvas

67 x 47 inches

170.4 x 119.4 cm

Giuseppe Cesari, also called Cavalier d’Arpino (Arpino, 1568 – Rome, 1640), Fortuna with two Tritons

Giuseppe Cesari, also called Cavalier d’Arpino (Arpino, 1568 – Rome, 1640)

Fortuna with two Tritons

Oil on canvas

50 x 35 inches

127 x 89 cm

Giovanni Paolo Panini (Piacenza, 1691 - Rome, 1765), Architectural Capriccio with Saint Peter Preaching

Giovanni Paolo Panini (Piacenza, 1691 - Rome, 1765)

Architectural Capriccio with Saint Peter Preaching

Oil on canvas

38 1/2 x 53 1/4 inches

98 x 135 cm

Pietro Paolini (Lucca, 1603 - 1681), Portrait of a female artist

Pietro Paolini (Lucca, 1603 - 1681)

Portrait of a female artist

Oil on canvas

23 1/4 x 27 inches

59.4 x 68.5 cm

Bartolomeo Cavarozzi (Viterbo, 1587 – Rome, 1625), Boy Bitten by a Crab

Bartolomeo Cavarozzi (Viterbo, 1587 – Rome, 1625)

Boy Bitten by a Crab

Oil on canvas

25 1/2 x 19 1/4 inches

65 x 49 cm

Ippolito Caffi (Belluno, 1809 – Lissa, 1866), Festa dei Moccoletti, via del Corso, Rome

Ippolito Caffi (Belluno, 1809 – Lissa, 1866)

Festa dei Moccoletti, via del Corso, Rome

Oil on canvas

34 1/2 x 44 1/2 inches

88 x 113 cm

Gaspar van Wittel, also called Vanvitelli (Amersfoort, 1653 – Rome, 1736), Naples, the Seiano Cave (Cave of Pausilypon)

Gaspar van Wittel, also called Vanvitelli (Amersfoort, 1653 – Rome, 1736)

Naples, the Seiano Cave (Cave of Pausilypon)

Gouache on paper

9 x 7 1/2 inches

23 x 19 cm

Antonio Joli (Modena, 1700 – Naples, 1777), A capriccio of a classical portico with Alexander the Great at the tomb of Achilles

Antonio Joli (Modena, 1700 – Naples, 1777)

A capriccio of a classical portico with Alexander the Great at the tomb of Achilles

Oil on canvas

17 x 24 inches

43.2 x 61 cm

Domenico Remps, Cabinet of Curiosities

Domenico Remps

Cabinet of Curiosities

Oil on canvas

39 3/8 x 53 1/8 inches

100 x 135 cm

Johann Liss (Oldenburg, 1597 – Verona, 1631), Jacob wrestling with an Angel

Johann Liss (Oldenburg, 1597 – Verona, 1631)

Jacob wrestling with an Angel

Oil on canvas

31 3/4 x 25 1/2 inches

80.6 x 64.7 cm

Ross Bleckner, Day and Night, Hour by Hour

Ross Bleckner

Day and Night, Hour by Hour

2023

Oil on linen

60 x 84 inches

152.4 x 213.4 cm

John Currin, Portrait of Chewy

John Currin

Portrait of Chewy

2001

Oil on canvas

18 x 14 inches

45.7 x 35.6 cm

Roe Ethridge, Chanel Chains and Shells

Roe Ethridge

Chanel Chains and Shells

2013-2023

Dye sublimation print

24 x 32 inches

61 x 81.3 cm

Josephine Halvorson, Hammers

Josephine Halvorson

Hammers

2023

Acrylic gouache on panel

22 x 37 inches

55.9 x 94 cm

Josephine Halvorson, Smiley Face

Josephine Halvorson

Smiley Face

2023

Acrylic gouache on panel

26 x 37 inches

66 x 94 cm

Jutta Koether, Tout Court VI

Jutta Koether

Tout Court VI

2023

Acrylic and metallic pens on canvas

78 3/4 x 59 inches

200 x 149.9 cm

Jeff Koons, Gazing Ball (Goltzius Hercules and Cacus)

Jeff Koons

Gazing Ball (Goltzius Hercules and Cacus)

2015

oil on canvas, glass, and aluminum

87 3/4 x 60 x 14 3/4 inches

222.9 x 152.4 x 37.5 cm

Emily Mae Smith, Little Gems, Wine Dark

Emily Mae Smith

Little Gems, Wine Dark

2023

Oil on linen

18 x 24 inches

45.7 x 61 cm

Lucy McKenzie, Quodlibet LXXVII

Lucy McKenzie

Quodlibet LXXVII

2023

Oil on canvas

19.69 x 17.32 inches

50 x 44 cm

Pieter Schoolwerth, Portrait of “Musical Group by Candlelight” (after Van Honthorst)

Pieter Schoolwerth

Portrait of “Musical Group by Candlelight” (after Van Honthorst)

2010

Oil on canvas

67 x 81 inches

170.2 x 205.7 cm

Cindy Sherman, Untitled

Cindy Sherman

Untitled

1989

Chromogenic color print

Image Dimensions:

87 1/8 x 56 1/8 inches

221.3 x 142.6 cm

Bob Thompson, Untitled (Oh Lawd!)

Bob Thompson

Untitled (Oh Lawd!)

1962

Oil on canvas

36 1/4 x 28 3/4 inches

92.1 x 73 cm

Emma Webster, None of What Kept Time Once Works

Emma Webster

None of What Kept Time Once Works

2023

Oil on linen

72 x 96 inches

182.9 x 243.8 cm

Press Release

Petzel is pleased to present Time Travel: Italian Masters through a Contemporary Lens, on view from November 15th, 2023 through February 10th, 2024, at Petzel’s Upper East Side location, 35 East 67th Street. In partnership with the London-based DYS 44 Lampronti Gallery, Time Travel surveys exemplary works from the 16th to the 19th century, exhibited on the gallery’s parlor floor from November 15th to February 10th. In addition, a selection of works in response from contemporary artists will be on view on the gallery’s third floor from November 15th to December 22nd.

In approaching these Italian Master works, the viewer encounters a distinct symbolic vocabulary, setting myth in motion, like a portal to another world. The boundary between real and imaginary space becomes blurred. The open wooden doors of Domenico Remps’ Cabinet of Curiosities tease the onlooker in hallmark trompe l’œil fashion. Grounding real monuments in fantastical landscapes, the ruins of Giovanni Paolo Panini’s capriccio gesture toward an apostolic past, with fragments of Classical sculpture scattered among magisterial columns. Ancient topographies emerge from painted bodies, as in Cavalier d’Arpino’s Fortuna with Two Tritons, in which the curved canyons of the goddess’ back are defined in sloped, tonal gradations. Viewer turns voyeur stumbling upon van Honthorst’s seduction scene, the subjects clothed in rich, chromatic contrast, a game of light and dark against a table set with vanitas.

Beyond virtuosity, beyond moralism, lies a sensual dynamism, a cinematographic drama, which continues to draw audiences to these paintings centuries from their conception. Hollywood-esque in its emotional exuberance, the Baroque brings forth a sense of movement and tension, an oscillation between the sacred and profane, bursting from the canvas’ delicate surface. Through the act of looking, figures, objects and landscapes become so vivid as if to extend into a third dimension, speaking from periods past.

In their response, a group of contemporary artists offer works in dialogue with these predecessors, considering the legacies of their genres and lexicons. Across a variety of means, these artists channel the energetic, grandiose ethos of the Baroque into their painterly compositions, situating these narrative sensibilities in modern contexts. These works both investigate and develop the formal language of the “masters,” providing a forum to map these stylized, highly constructed narratives onto our present moment. Time Travel stages a conversation with the past, one that revitalizes our comprehension of how intellectual conflicts have motivated artists through the ages.

Artworks featured from DYS 44 Lampronti Gallery include those by Master of the Acquavella Still-Life, Cavalier d’Arpino, Carlo Bonavia, Ippolito Caffi, Guido Cagnacci, Canaletto, Annibale Carracci, Bernardo Cavallino, Bartolomeo Cavarozzi, Michelangelo Cerquozzi, Jacopo Fabris, Luca Forte, Fede Galizia, Artemisia Gentileschi, Antiveduto Gramatica, Guercino, Master of Hartford, Gerrit van Honthorst, Antonio Joli, Johann Liss, Giovanni Paolo Panini, Pietro Paolini, Domenico Remps, Jusepe de Ribera, Antonio Maria Vassallo, and Gaspar van Wittel.

Contemporary artworks featured include those by Ross Bleckner, John Currin, Roe Ethridge, Josephine Halvorson, Jutta Koether, Jeff Koons, Lucy McKenzie, Pieter Schoolwerth, Cindy Sherman, Emily Mae Smith, Bob Thompson, and Emma Webster.

 

Petzel Gallery is located on the parlor floor and third floors of 35 East 67th Street New York, NY 10065. Gallery hours are Tuesday through Saturday from 10:00 AM–6:00 PM. For press inquires, please contact Ricky Lee at ricky@petzel.com, or Anna Chiara Giusa at anna@cesarelampronti.co.uk.