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Charline von Heyl at the Biennale Arte 2022

Seven individual abstract paintings make up Charline von Heyl’s installation at the Venice Biennale 2022. At the room’s center is a large-scale acrylic, oil and charcoal painting entitled Primavera (2020) that takes as a point of departure, Sandro Botticelli’s renowned 1480s painting of the same title. The surrounding paintings play upon the Primavera’s mythological theme, with titles Ninfa, Pagan Prophet, The Garden of Cyrus, Acidalia, The August Complex and Nymphs, they expand upon both the spiritual creation and the human destruction of the natural world.

Charline von Heyl - Biennale Arte 2022 - Collect - Petzel Gallery

Installation view, Biennale Arte 2022, The Milk of Dreams

Charline von Heyl - Biennale Arte 2022 - Collect - Petzel Gallery

Installation view, Biennale Arte 2022, The Milk of Dreams

Slide-1-(OLD)

Charline von Heyl, Primavera

Charline von Heyl

Primavera

2020

Oil and acrylic on linen

82 x 220 inches

208 x 559 cm

Charline von Heyl, The August Complex

Charline von Heyl

The August Complex

2020

Acrylic on linen

82 x 78 inches

208.3 x 198.1 cm

Charline von Heyl, Pagan Prophet

Charline von Heyl

Pagan Prophet

2021

Acrylic on linen

82 x 74 inches

208.3 x 188 cm

Charline von Heyl, Emblemata Nova

Charline von Heyl

Emblemata Nova

2021

Acrylic on linen

82 x 78 inches

208.3 x 198.1 cm

Charline von Heyl, The Garden of Cyrus

Charline von Heyl

The Garden of Cyrus

2021

Oil and acrylic on linen

82 x 74 inches

208.3 x 188 cm

Charline von Heyl, Ninfa

Charline von Heyl

Ninfa

2021

Acrylic on linen

82 x 86 inches

208.3 x 218.4 cm

Charline von Heyl, Nymphs

Charline von Heyl

Nymphs

2020

Acrylic on linen

82 x 72 inches

208.3 x 182.9 cm

Charline von Heyl - Biennale Arte 2022 - Collect - Petzel Gallery

Installation view, Biennale Arte 2022, The Milk of Dreams

Charline von Heyl - Biennale Arte 2022 - Collect - Petzel Gallery

Installation view, Biennale Arte 2022, The Milk of Dreams

The Primavera Project

Von Heyl created the painting Primavera at the invitation of Jeffrianne Young & the cellist Matt Haimovitz who commissioned a series of musical compositions by a diverse group of contemporary composers titled The Primavera Project. Both Botticelli’s original and von Heyl’s rendition are the source of inspiration for over 80 new solo cello works, of which a selection was made into a playlist for the Biennale.

CLICK TO LISTEN TO THE PRIMAVERA A VENEZIA PLAYLIST

Matt Haimovitz

Renowned as a musical pioneer, multi-Grammy-nominated cellist Matt Haimovitz is praised by The New York Times as a “ferociously talented cellist who brings his megawatt sound and uncommon expressive gifts to a vast variety of styles” and by The New Yorker as “remarkable virtuoso” who “never turns in a predictable performance.” He brings a fresh ear to familiar repertoire, champions new music, and initiates groundbreaking collaborations, as well as creating innovative recording projects. In addition to his touring schedule, Haimovitz mentors an award-winning studio of young cellists at the Schulich School of Music of McGill University in Montreal and is now the first-ever John Cage Fellow at The New School's Mannes School of Music in New York City.