This book features the first comphrensive monograph of Hanne Darboven's work. Edited by Okwui Enwezor and Rein Wolfs with contrubitions by Elke Bippus, Thomas Ebers, Okwui Enwezor, Zdenek Felix, Wolfgang Marx, Miriam Schoofs, and Rein Wolfs. Published by Prestel in 2015. Cloth cover, 352 pages.
About the artist
Hanne Darboven (b. 1941, Munich, Germany, d. 2009, Hamburg, Germany)
Hanne Darboven is considered to be one of the most important and enigmatic figures in postwar German art. Following a brief period in which she studied as a pianist, Darboven went on to train in art at the Hochschule für bildende Künste in Hamburg from 1962–1965. Though based in Hamburg, it was during a two-year stay in New York in the late 1960s that Darboven discovered what would become her life-long project: the visualization of time in all its formations. Upon return to her hometown in 1968, she continued to live and work at her parental home in Hamburg’s Harburg district until her death in 2009.
Selected solo exhibitions by Hanne Darboven include Kunsthalle Bern (1969); Westfälischer Kunstverein, Muenster (1971); Kunstmuseum Basel (1974); Deichtorhallen Hamburg (1991); Stedelijk Van Abbemuseum, Eindhoven and Musée d’Art moderne de la Ville de Paris (both 1986); Dia Center for the Arts, New York (1996); Staatsgalerie Stuttgart (1997); Hamburger Kunsthalle, Berlin (1999 and 2006); Deutsche Guggenheim, Berlin (2006); Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); Bundeskunsthalle, Bonn and Haus der Kunst, Munich (both 2015); Deichtorhallen, Sammlung Falckenberg, Hamburg and Hamburger Bahnhof – Museum für Gegenwart, Berlin (both 2017), and Museum Küppersmühle für Moderne Kunst, Duisburg (2020).
Selected group shows include documenta, Kassel (1972, 1977, 1982, 2002); Musée d’Art Moderne de la Ville de Paris (1970, 1981, 1989, 2000, 2006); Solomon R. Guggenheim Museum, New York (1971, 1983); Museum of Modern Art, New York (1976, 2005, 2006, 2007, 2009, 2014, 2017, 2018); National Museum of Art, Osaka (1989); National Gallery of Victoria, Melbourne (1991); The National Gallery of Art, Washington D.C. (1994); Museum of Contemporary Art, Los Angeles (1996); Haus der Kunst, Munich (1997, 2003, 2008); Museum für Moderne Kunst MMK, Frankfurt (2000, 2010); Centre Pompidou, Paris (2002); Hamburger Kunsthalle (2013, 2016); Kunstmuseum Basel (2014); Institute of Contemporary Art, Miami (2017); Westbund Art Museum, Shanghai (2019); Pinakothek der Moderne, Munich (2020); Kunstmuseum Bonn, Bonn (2021), and Hamburger Kunsthalle, Hamburg (2022). She represented the Federal Republic of Germany at the 1982 Venice Biennale (along with Gotthard Graubner and Wolfgang Laib).