Artists on Hanne Darboven is the first installment in a series culled from Dia Art Foundation’s Artists on Artists lectures, focused on German conceptual artist Hanne Darboven. Established in 2001, the lecture series highlights the work of modern and contemporary artists from the perspective of their colleagues and peers. The inaugural Artists on Artists title is published in conjunction with the opening of Darboven’s 1980–83 installation Kulturgeschichte 1880–1983 (Cultural History 1880–1983, 1980–83) at Dia Chelsea in New York City, the first time Darboven’s magnum opus has been on view in the United States for over a decade. It features contributions from Gregg Bordowitz, Sam Lewitt, Josephine Meckseper, and Matt Mullican.
Publisher: Dia Art Foundation, 2016
Softcover: 136 pages
Dimensions: 5.25 x 7 inches
About the artist
Hanne Darboven (b. 1941, Munich, Germany, d. 2009, Hamburg, Germany)
Hanne Darboven is considered to be one of the most important and enigmatic figures in postwar German art. Following a brief period in which she studied as a pianist, Darboven went on to train in art at the Hochschule für bildende Künste in Hamburg from 1962–1965. Though based in Hamburg, it was during a two-year stay in New York in the late 1960s that Darboven discovered what would become her life-long project: the visualization of time in all its formations. Upon return to her hometown in 1968, she continued to live and work at her parental home in Hamburg’s Harburg district until her death in 2009.
Selected solo exhibitions by Hanne Darboven include Kunsthalle Bern (1969); Westfälischer Kunstverein, Muenster (1971); Kunstmuseum Basel (1974); Deichtorhallen Hamburg (1991); Stedelijk Van Abbemuseum, Eindhoven and Musée d’Art moderne de la Ville de Paris (both 1986); Dia Center for the Arts, New York (1996); Staatsgalerie Stuttgart (1997); Hamburger Kunsthalle, Berlin (1999 and 2006); Deutsche Guggenheim, Berlin (2006); Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); Bundeskunsthalle, Bonn and Haus der Kunst, Munich (both 2015); Deichtorhallen, Sammlung Falckenberg, Hamburg and Hamburger Bahnhof – Museum für Gegenwart, Berlin (both 2017), and Museum Küppersmühle für Moderne Kunst, Duisburg (2020).
Selected group shows include documenta, Kassel (1972, 1977, 1982, 2002); Musée d’Art Moderne de la Ville de Paris (1970, 1981, 1989, 2000, 2006); Solomon R. Guggenheim Museum, New York (1971, 1983); Museum of Modern Art, New York (1976, 2005, 2006, 2007, 2009, 2014, 2017, 2018); National Museum of Art, Osaka (1989); National Gallery of Victoria, Melbourne (1991); The National Gallery of Art, Washington D.C. (1994); Museum of Contemporary Art, Los Angeles (1996); Haus der Kunst, Munich (1997, 2003, 2008); Museum für Moderne Kunst MMK, Frankfurt (2000, 2010); Centre Pompidou, Paris (2002); Hamburger Kunsthalle (2013, 2016); Kunstmuseum Basel (2014); Institute of Contemporary Art, Miami (2017); Westbund Art Museum, Shanghai (2019); Pinakothek der Moderne, Munich (2020); Kunstmuseum Bonn, Bonn (2021), and Hamburger Kunsthalle, Hamburg (2022). She represented the Federal Republic of Germany at the 1982 Venice Biennale (along with Gotthard Graubner and Wolfgang Laib).