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Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, New Work

Charline von Heyl

New Work

Installation view

2018

Charline von Heyl, Corrido

Charline von Heyl

Corrido

2018

Oil, acrylic, charcoal on linen

108 x 90 inches

Charline von Heyl, Tondo

Charline von Heyl

Tondo

2017

Acrylic and charcoal on linen

80 inches diameter

Charline von Heyl, Vandals Without Sandals

Charline von Heyl

Vandals Without Sandals

2018

Oil, acrylic, charcoal on linen

90 x 120 inches

Charline von Heyl- Gacela

Charline von Heyl

Gacela

2016

Oil and acrylic on linen

82 x 72 inches

Charline von Heyl, Poetry Machine #1

Charline von Heyl

Poetry Machine #1

2018

Oil, acrylic, charcoal on linen

82 x 78 inches

Charline von Heyl, 5 Signs of Disturbance

Charline von Heyl

5 Signs of Disturbance

2018

Acrylic on linen

82 x 70 inches

Charline von Heyl, Poetry Machine #2

Charline von Heyl

Poetry Machine #2

2018

Oil, acrylic, charcoal on linen

82 x 74 inches

Charline von Heyl, Poetry Machine #3

Charline von Heyl

Poetry Machine #3

2018

Oil and acrylic on linen

82 x 74 inches

Charline von Heyl, The Floodsubject

Charline von Heyl

The Floodsubject

2018

Oil and acrylic on linen

86 x 82 inches

Charline von Heyl, Dial P for Painting

Charline von Heyl

Dial P for Painting

2017

Oil and acrylic on linen

60 x 50 inches

Charline von Heyl, Mana Hatta

Charline von Heyl

Mana Hatta

2017

Oil, acrylic, charcoal on linen

82 x 70 inches

Charline von Heyl, Hero Picnic

Charline von Heyl

Hero Picnic

2018

Oil and acrylic on linen

82 x 74 inches

Charline von Heyl, The Language of the Underworld

Charline von Heyl

The Language of the Underworld

2017

Acrylic and charcoal on linen

90 x 108 inches

Charline von Heyl, Do You Peeve Cato?

Charline von Heyl

Do You Peeve Cato?

2017

Acrylic and charcoal on linen

82 x 78 inches

Charline von Heyl, Lady Moth

Charline von Heyl

Lady Moth

2017

Acrylic and charcoal on linen

90 x 82 inches

Charline von Heyl, La Vache Qui Rit (The Laughing Cow)

Charline von Heyl

La Vache Qui Rit (The Laughing Cow)

2018

Acrylic and charcoal on linen

80 x 70 inches

Charline von Heyl, Dub

Charline von Heyl

Dub

2018

Oil, acrylic, charcoal on linen

82 x 68 inches

Press Release

Petzel Gallery is delighted to announce an exhibition of new paintings by Charline von Heyl. Over the past three decades, von Heyl has made paintings that upend conventional assumptions about composition, beauty, narrative, design, and artistic subjectivity. The new paintings in this, von Heyl’s ninth solo show at Petzel, are composed inventions that function as self-perpetuating visual events; enigmatic presences silently seducing and disturbing the viewer.

Von Heyl’s new paintings shake loose work against language and capture time through dense compositions replete with moody rhythms of color and shape. A number of her effects can unexpectedly dazzle a viewer’s perceptions. The repositioning of one’s body opposite a painting reveals in cross-raked light interference colors that shift in value from pink to green and from yellow to violet. In some cases, paint may bleed through the linen’s verso; in others, shapes are imprisoned under a layer of color as ghost images. Some works, devoid of color, are able to re-energize through stark black graphics. A painting can often begin with a meandering line that loops and snaps into a biomorphic checkerboard. Various images, such as moths, rabbits, heads, and faces have been deceivingly painted as if placed on the surface as a second thought. These sequences unfold slowly while the painting is viewed—overlapping, dissolving, or blending to produce an image that stands for itself as fact.

Charline von Heyl was born in 1960 in Germany; she lives and works in New York and Marfa, Texas. Her work has been exhibited both in the United States and abroad, including solo exhibitions at The Tate, Liverpool; Kunsthalle Nürnberg, Nürnberg; Bonner Kunstverein, Bonn; ICA Philadelphia; ICA Boston; Le Consortium, Dijon; The Dallas Museum of Art, and in the Vienna Secession. Von Heyl’s works are in the collections of The Tate, London; The Museum of Modern Art, New York; The Museum of Contemporary Art, Chicago; Musée d’Art Moderne de la Ville de Paris; The Museum of Contemporary Art, Los Angeles; and The San Francisco Museum of Modern Art; among many others.

The New York exhibition will take place concurrent to her large solo survey show Snake Eyes at the Deichtorhallen, Hamburg, which will travel to the Museum Dhont-Dhaenens, Sint-Martens-Latem, Deurle, and the Hirshhorn Museum and Sculpture Garden, Washington D.C., later this fall. Her newest catalog, Snake Eyes, will be available at the Petzel Publications bookstore.

Petzel Gallery is located at 456 West 18th Street New York, NY 10011. Gallery hours are Tuesday through Saturday from 10:00 AM–6:00 PM. For press inquires, please contact Janine Latham at janine@petzel.com, or call (212) 680-9467.