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Soliloquies

Petzel Gallery is pleased to present Soliloquies, a group exhibition of sculpture by 18 artists, on view from March 14 to April 20, 2024 at Petzel’s Chelsea location. Comprised of exclusively freestanding sculpture, Soliloquies opens multiple vantage points for the encircling viewer, uniting multi-disciplinary artists who all use sculpture in their practices: Walead Beshty, Cosima von Bonin, Keith Edmier, Derek Fordjour, Nikita Gale, Georg Herold, Sean Landers, Allan McCollum, Rodney McMillian, Malcolm Morley, Jorge Pardo, Joyce Pensato, Seth Price, Stephen Prina, Jon Pylypchuk, Tschabalala Self, Raphaela Vogel, and Heimo Zobernig.

Soliloquies - A group exhibition of sculpture by 18 artists - Collect - Petzel Gallery

Representing an array of processes, from handcrafted to digitally printed, this group of works surveys three-dimensional media across various technologies, source materials, and scales. Soliloquies stages a forum between subject and object, actor and spectator, figure and form, where the traditional white cube becomes an illuminated pavilion, activated by the viewer. Spectators may commune with the artworks at many angles, each sculpture illuminated by their own pool of light. 

Tschabalala Self

The Soft Kiss

2023

Steel frame, wire, upholstery foam, wadding, and textiles

76 x 59 x 99.25 inches

193 x 150 x 252 cm

(TS 24/001)

Tschabalala Self

The Soft Kiss

2023

Steel frame, wire, upholstery foam, wadding, and textiles

76 x 59 x 99.25 inches

193 x 150 x 252 cm

(TS 24/001)

Inquire
Raphaela Vogel

Unspecial Agent 1

2023

Bronze

70.9 x 23.6 x 23.6 inches

180 x 60 x 60 cm

(RV 23/010)

Raphaela Vogel

Unspecial Agent 1

2023

Bronze

70.9 x 23.6 x 23.6 inches

180 x 60 x 60 cm

(RV 23/010)

Inquire
Stephen Prina

English for Foreigners: Three Wood Shavings

2017

Mediterranean Cypress, Aromatic Cedar, Ponderosa Pine, Mahogany, Birch veneer plywood, metal, and fabric

96 x 96 x 38 inches

243.8 x 243.8 x 96.5 cm

(SP 17/012)

Stephen Prina

English for Foreigners: Three Wood Shavings

2017

Mediterranean Cypress, Aromatic Cedar, Ponderosa Pine, Mahogany, Birch veneer plywood, metal, and fabric

96 x 96 x 38 inches

243.8 x 243.8 x 96.5 cm

(SP 17/012)

Inquire
Georg Herold

Untitled

1993

Burlap bag, bricks, and caviar can

21 x 20 x 25 inches

53.3 x 50.8 x 63.5 cm

(GH 19/014)

Georg Herold

Untitled

1993

Burlap bag, bricks, and caviar can

21 x 20 x 25 inches

53.3 x 50.8 x 63.5 cm

(GH 19/014)

Inquire
Seth Price

Double Hunt

2006–2007

Silksceen ink on PETG and hardware

48.75 x 28.5 x 28.5 inches

123.8 x 72.4 x 72.4 cm

(SPR 24/003)

Seth Price

Double Hunt

2006–2007

Silksceen ink on PETG and hardware

48.75 x 28.5 x 28.5 inches

123.8 x 72.4 x 72.4 cm

(SPR 24/003)

Inquire
Heimo Zobernig

Untitled

2021

Bronze

69.25 x 26.25 x 17.75 inches

176 x 67 x 45 cm

(HZ 21/005)

Heimo Zobernig

Untitled

2021

Bronze

69.25 x 26.25 x 17.75 inches

176 x 67 x 45 cm

(HZ 21/005)

Inquire
Malcolm Morley

The Chariot of Darius II

1989

Patinated bronze

51.5 x 20 x 11.5 inches

130.8 x 50.8 x 29.2 cm

Edition of 6

(MOR 22/059)

Malcolm Morley

The Chariot of Darius II

1989

Patinated bronze

51.5 x 20 x 11.5 inches

130.8 x 50.8 x 29.2 cm

Edition of 6

(MOR 22/059)

Inquire
Raphaela Vogel

Unspecial Agent 1

2023

Bronze

70.9 x 23.6 x 23.6 inches

180 x 60 x 60 cm

(RV 23/010)

Raphaela Vogel

Unspecial Agent 1

2023

Bronze

70.9 x 23.6 x 23.6 inches

180 x 60 x 60 cm

(RV 23/010)

Stephen Prina

English for Foreigners: Three Wood Shavings

2017

Mediterranean Cypress, Aromatic Cedar, Ponderosa Pine, Mahogany, Birch veneer plywood, metal, and fabric

96 x 96 x 38 inches

243.8 x 243.8 x 96.5 cm

(SP 17/012)

Stephen Prina

English for Foreigners: Three Wood Shavings

2017

Mediterranean Cypress, Aromatic Cedar, Ponderosa Pine, Mahogany, Birch veneer plywood, metal, and fabric

96 x 96 x 38 inches

243.8 x 243.8 x 96.5 cm

(SP 17/012)

Georg Herold

Untitled

1993

Burlap bag, bricks, and caviar can

21 x 20 x 25 inches

53.3 x 50.8 x 63.5 cm

(GH 19/014)

Georg Herold

Untitled

1993

Burlap bag, bricks, and caviar can

21 x 20 x 25 inches

53.3 x 50.8 x 63.5 cm

(GH 19/014)

Seth Price

Double Hunt

2006–2007

Silksceen ink on PETG and hardware

48.75 x 28.5 x 28.5 inches

123.8 x 72.4 x 72.4 cm

(SPR 24/003)

Seth Price

Double Hunt

2006–2007

Silksceen ink on PETG and hardware

48.75 x 28.5 x 28.5 inches

123.8 x 72.4 x 72.4 cm

(SPR 24/003)

Heimo Zobernig

Untitled

2021

Bronze

69.25 x 26.25 x 17.75 inches

176 x 67 x 45 cm

(HZ 21/005)

Heimo Zobernig

Untitled

2021

Bronze

69.25 x 26.25 x 17.75 inches

176 x 67 x 45 cm

(HZ 21/005)

Malcolm Morley

The Chariot of Darius II

1989

Patinated bronze

51.5 x 20 x 11.5 inches

130.8 x 50.8 x 29.2 cm

Edition of 6

(MOR 22/059)

Malcolm Morley

The Chariot of Darius II

1989

Patinated bronze

51.5 x 20 x 11.5 inches

130.8 x 50.8 x 29.2 cm

Edition of 6

(MOR 22/059)

In 1988, Allan McCollum began his Perfect Vehicle series: vessel-sculptures modeled from Chinese ginger jars, made of cast glass fiber reinforced concrete, devoid of an opening, eliminating the use-value function of the objet d’art. The surrealist scale of McCollum’s six-foot Kelly green Perfect Vehicle (1988/2004) and its representational form signals to Heimo Zobernig and Derek Fordjour’s bronzes of human figures. Raphaela Vogel’s Unspecial Agent 1 evokes the casting process through its caged hollowness, its feet puddled with bronze, in good company with Keith Edmier’s aptly named A Shell of My Former Self (2000–2023), a new form born within a fiberglass mother mold of an earlier self-portrait. Pop and folk icons and are also made real, looming throughout the space, from Sean Lander’s Greek half-god Pan (2006) to Joyce Pensato’s Tipsy Donald (2020) to Cosima von Bonin’s IDLER #124 (THE PASSIVE AGGRESSIVE VERSION) (2011), a seated Pinocchio-like figure perched high on an umpire’s chair.

Soliloquies - A group exhibition of sculpture by 18 artists - Collect - Petzel Gallery

Processes of mythmaking, wielded through feats of physicality, weight, and size, also arise among these artists. Nikita Gale’s TALENT 15LBS (2023), comprised of hanging scales, sound equipment, flat weights, and a shop crane, underscores the weight of the performer’s talent, a term originally used in ancient Rome, Egypt and Assyria to refer to the approximate load that could be carried by one person. This performed defiance of gravity becomes a metric for stardom, à la Tina Turner’s crane, or Evel Knievel’s stunt jumps. The absence of the body is also made evident in Rodney McMillian’s Couch (2012): a sateen, striped sofa with a concrete intervention down the middle. Through discarded objects of domestic life, McMillian signals the public and the private, and broader social histories as they relate to the body politic. An intimate portrait of grief, the absence of the body is clothed in polished bronze among Jon Pylypchuk’s cavernous ghosts, made after the loss of a dear friend. 

Nikita Gale

TALENT 15LBS

2023

Hanging scales, microphone, DMX cable, flat weights, and shop crane

82 x 65 x 35 inches

208.3 x 165.1 x 88.9 cm

(NG 23/010)

Nikita Gale

TALENT 15LBS

2023

Hanging scales, microphone, DMX cable, flat weights, and shop crane

82 x 65 x 35 inches

208.3 x 165.1 x 88.9 cm

(NG 23/010)

Inquire
Derek Fordjour

Khloros Pylon

2023

Bronze

108 x 27 x 27 inches

274.3 x 68.6 x 68.6 cm

Unique variant in edition of 3

(DF 23/008)

Derek Fordjour

Khloros Pylon

2023

Bronze

108 x 27 x 27 inches

274.3 x 68.6 x 68.6 cm

Unique variant in edition of 3

(DF 23/008)

Inquire
Sean Landers

Pan

2006

Bronze and wool kilt

60 x 36 x 22 inches

152.4 x 91.4 x 61 cm

(LS 06/006)

Sean Landers

Pan

2006

Bronze and wool kilt

60 x 36 x 22 inches

152.4 x 91.4 x 61 cm

(LS 06/006)

Inquire
Seth Price

Double Hunt

2006–2007

Silksceen ink on PETG and hardware

48.75 x 28.5 x 28.5 inches

123.8 x 72.4 x 72.4 cm

(SPR 24/002)

Seth Price

Double Hunt

2006–2007

Silksceen ink on PETG and hardware

48.75 x 28.5 x 28.5 inches

123.8 x 72.4 x 72.4 cm

(SPR 24/002)

Inquire
Jorge Pardo

Udo’s Table and Chairs

2023

Plywood with Tornillo veneer, acrylic paint, lacquer, andwicker

Table: 34.25 x 122 x 43.3 inches / 87 x 310 x 110 cm

Chairs: 30 x 29 x 22 inches / 77 x 58 x 55 cm

(JP 23/018)

Jorge Pardo

Udo’s Table and Chairs

2023

Plywood with Tornillo veneer, acrylic paint, lacquer, andwicker

Table: 34.25 x 122 x 43.3 inches / 87 x 310 x 110 cm

Chairs: 30 x 29 x 22 inches / 77 x 58 x 55 cm

(JP 23/018)

Inquire
Jon Pylypchuk

Untitled

2021

High polish bronze

17 x 22 x 20 inches

43.2 x 55.9 x 50.8 cm

(RB 21/036)

Jon Pylypchuk

Untitled

2021

High polish bronze

17 x 22 x 20 inches

43.2 x 55.9 x 50.8 cm

(RB 21/036)

Inquire
Nikita Gale

TALENT 15LBS

2023

Hanging scales, microphone, DMX cable, flat weights, and shop crane

82 x 65 x 35 inches

208.3 x 165.1 x 88.9 cm

(NG 23/010)

Nikita Gale

TALENT 15LBS

2023

Hanging scales, microphone, DMX cable, flat weights, and shop crane

82 x 65 x 35 inches

208.3 x 165.1 x 88.9 cm

(NG 23/010)

Derek Fordjour

Khloros Pylon

2023

Bronze

108 x 27 x 27 inches

274.3 x 68.6 x 68.6 cm

Unique variant in edition of 3

(DF 23/008)

Derek Fordjour

Khloros Pylon

2023

Bronze

108 x 27 x 27 inches

274.3 x 68.6 x 68.6 cm

Unique variant in edition of 3

(DF 23/008)

Sean Landers

Pan

2006

Bronze and wool kilt

60 x 36 x 22 inches

152.4 x 91.4 x 61 cm

(LS 06/006)

Sean Landers

Pan

2006

Bronze and wool kilt

60 x 36 x 22 inches

152.4 x 91.4 x 61 cm

(LS 06/006)

Seth Price

Double Hunt

2006–2007

Silksceen ink on PETG and hardware

48.75 x 28.5 x 28.5 inches

123.8 x 72.4 x 72.4 cm

(SPR 24/002)

Seth Price

Double Hunt

2006–2007

Silksceen ink on PETG and hardware

48.75 x 28.5 x 28.5 inches

123.8 x 72.4 x 72.4 cm

(SPR 24/002)

Jorge Pardo

Udo’s Table and Chairs

2023

Plywood with Tornillo veneer, acrylic paint, lacquer, andwicker

Table: 34.25 x 122 x 43.3 inches / 87 x 310 x 110 cm

Chairs: 30 x 29 x 22 inches / 77 x 58 x 55 cm

(JP 23/018)

Jorge Pardo

Udo’s Table and Chairs

2023

Plywood with Tornillo veneer, acrylic paint, lacquer, andwicker

Table: 34.25 x 122 x 43.3 inches / 87 x 310 x 110 cm

Chairs: 30 x 29 x 22 inches / 77 x 58 x 55 cm

(JP 23/018)

Jon Pylypchuk

Untitled

2021

High polish bronze

17 x 22 x 20 inches

43.2 x 55.9 x 50.8 cm

(RB 21/036)

Jon Pylypchuk

Untitled

2021

High polish bronze

17 x 22 x 20 inches

43.2 x 55.9 x 50.8 cm

(RB 21/036)

Soliloquies reveals nuances inherent to these artists and their methodologies. Malcolm Morley’s bronze Marker (1989) mimics a stack of cinderblocks, originally constructed as a pedestal for the model tanks and soldiers that would populate his paintings. Georg Herold’s Untitled (1993), a burlap bag filled with bricks and a caviar can, similarly features a familiar commodity from the artist’s seminal Caviar Paintings, continuing to generate fresh, playful associations. Tschabalala Self’s The Soft Kiss (2023) translates Self’s engagement with sewn, printed, and painted materials from the canvas to the round. Self captures an intimate moment on display, a staged repose of two foam-filled figures, larger than life, clothed in textiles, tender to the touch. Jorge Pardo extends his painterly treatment of surface, color, and line to Udo’s table and Chairs (2023), considering the table as canvas, and fraying borders between furniture and sculpture.

Soliloquies - A group exhibition of sculpture by 18 artists - Collect - Petzel Gallery

Selected source materials further highlight questions of production and re-production, the sculpture as artifact or facsimile. Stephen Prina allegorizes fatherhood in his English for Foreigners: Three Wood Shavings (2017). Beerhall tables draped in fabric designed by the artist function as an altar/reliquary displaying cypress, cedar, and pine wood shavings; an allusion to Joseph the Carpenter as well as the three wood types, according to a biblical interpretation, used to construct the cross of Jesus of Nazareth. Seth Price reproduces an image from the Lascaux Caves on transparent PETG in his Double Hunt (2006–07) sculptures, investigating duplication and simulation processes relating to the Paleolithic paintings, which were closed to the public in 1963 and reproduced twenty years later as the concrete bunker facsimile Lascaux II. Walead Beshty’s fractured ceramic assemblage, made from the slip cast remnants of a manufacturer based in Guadalajara, Mexico, gestures to questions of labor, exploitation, and utility.

Cosima von Bonin

IDLER #124 (THE PASSIVE AGGRESSIVE VERSION)

2011

Steel, glass fibre reinforced plastic, aluminum, styrofoam, and lacquer

109 x 89 x 36 inches

277 x 226.1 x 91.4 cm

(CVB 11/001)

Cosima von Bonin

IDLER #124 (THE PASSIVE AGGRESSIVE VERSION)

2011

Steel, glass fibre reinforced plastic, aluminum, styrofoam, and lacquer

109 x 89 x 36 inches

277 x 226.1 x 91.4 cm

(CVB 11/001)

Inquire
Walead Beshty

El circo contemporáneo (February 17-March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

50 x 42 x 72 inches

127 x 106.7 x 182.9 cm

(WB 15/024)

Walead Beshty

El circo contemporáneo (February 17-March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

50 x 42 x 72 inches

127 x 106.7 x 182.9 cm

(WB 15/024)

Inquire
Seth Price

Double Hunt

2006–2007

Silksceen ink on PETG and hardware

48.75 x 28.5 x 28.5 inches

123.8 x 72.4 x 72.4 cm

(SPR 07/046)

Seth Price

Double Hunt

2006–2007

Silksceen ink on PETG and hardware

48.75 x 28.5 x 28.5 inches

123.8 x 72.4 x 72.4 cm

(SPR 07/046)

Inquire
Keith Edmier

A Shell of My Former Self

2000–2023

Polyester resin, fiberglass, steel,wood, acrylic paint, and 3D printed PLA

68 x 66 x 80 inches

172.72 x 167.64 x 203.2 cm

(KE 23/001)

Keith Edmier

A Shell of My Former Self

2000–2023

Polyester resin, fiberglass, steel,wood, acrylic paint, and 3D printed PLA

68 x 66 x 80 inches

172.72 x 167.64 x 203.2 cm

(KE 23/001)

Inquire
Joyce Pensato

Batman Mask

2022

Bronze and black patina

17.25 x 11 x 7.75 inches

44 x 28 x 20 cm

Edition of 20, 4 AP

(PEN 22/034)

Joyce Pensato

Batman Mask

2022

Bronze and black patina

17.25 x 11 x 7.75 inches

44 x 28 x 20 cm

Edition of 20, 4 AP

(PEN 22/034)

Inquire
Allan McCollum

Perfect Vehicle

1988/2004

Moorglo on concrete

78 x 36 inches

198.1 x 91.4 cm

(AM 04/003)

Allan McCollum

Perfect Vehicle

1988/2004

Moorglo on concrete

78 x 36 inches

198.1 x 91.4 cm

(AM 04/003)

Inquire
Cosima von Bonin

IDLER #124 (THE PASSIVE AGGRESSIVE VERSION)

2011

Steel, glass fibre reinforced plastic, aluminum, styrofoam, and lacquer

109 x 89 x 36 inches

277 x 226.1 x 91.4 cm

(CVB 11/001)

Cosima von Bonin

IDLER #124 (THE PASSIVE AGGRESSIVE VERSION)

2011

Steel, glass fibre reinforced plastic, aluminum, styrofoam, and lacquer

109 x 89 x 36 inches

277 x 226.1 x 91.4 cm

(CVB 11/001)

Walead Beshty

El circo contemporáneo (February 17-March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

50 x 42 x 72 inches

127 x 106.7 x 182.9 cm

(WB 15/024)

Walead Beshty

El circo contemporáneo (February 17-March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

50 x 42 x 72 inches

127 x 106.7 x 182.9 cm

(WB 15/024)

Seth Price

Double Hunt

2006–2007

Silksceen ink on PETG and hardware

48.75 x 28.5 x 28.5 inches

123.8 x 72.4 x 72.4 cm

(SPR 07/046)

Seth Price

Double Hunt

2006–2007

Silksceen ink on PETG and hardware

48.75 x 28.5 x 28.5 inches

123.8 x 72.4 x 72.4 cm

(SPR 07/046)

Keith Edmier

A Shell of My Former Self

2000–2023

Polyester resin, fiberglass, steel,wood, acrylic paint, and 3D printed PLA

68 x 66 x 80 inches

172.72 x 167.64 x 203.2 cm

(KE 23/001)

Keith Edmier

A Shell of My Former Self

2000–2023

Polyester resin, fiberglass, steel,wood, acrylic paint, and 3D printed PLA

68 x 66 x 80 inches

172.72 x 167.64 x 203.2 cm

(KE 23/001)

Joyce Pensato

Batman Mask

2022

Bronze and black patina

17.25 x 11 x 7.75 inches

44 x 28 x 20 cm

Edition of 20, 4 AP

(PEN 22/034)

Joyce Pensato

Batman Mask

2022

Bronze and black patina

17.25 x 11 x 7.75 inches

44 x 28 x 20 cm

Edition of 20, 4 AP

(PEN 22/034)

Allan McCollum

Perfect Vehicle

1988/2004

Moorglo on concrete

78 x 36 inches

198.1 x 91.4 cm

(AM 04/003)

Allan McCollum

Perfect Vehicle

1988/2004

Moorglo on concrete

78 x 36 inches

198.1 x 91.4 cm

(AM 04/003)

Rodney McMillian

Couch

2012

Couch and cement

32.5 x 88.5 x 32.5 inches

82.6 x 224.8 x 82.6 cm

(RM 20/036)

Rodney McMillian

Couch

2012

Couch and cement

32.5 x 88.5 x 32.5 inches

82.6 x 224.8 x 82.6 cm

(RM 20/036)

Inquire

As the late Malcolm Morley notes in a 2011 interview, “One thing I would say is that with painting, you are kind of outside the action, but with sculpture, you’re always in it.” Soliloquies invites the spectator to encounter each freestanding work as a singular snapshot of an artist’s ethos, their visual language in the third dimension. However, Soliloquies also considers unexpected links in modes of making, staging revelations on process and materiality across each artist’s practice.

Soliloquies - A group exhibition of sculpture by 18 artists - Collect - Petzel Gallery