News
Capitain Petzel 'Kunst im Heim', Art in your Home – October 31 - December 6, 2008
'Kunst im Heim' is the opening exhibition of Capitain Petzel at Karl-Marx-Allee 45 and, to inaugurate the new space, artists of Galerie Gisela Capitain and Friedrich Petzel Gallery have been invited to respond to the architecture, form, history and surroundings of the pavilion.
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'Kunst im Heim' is the opening exhibition of Capitain Petzel at Karl-Marx-Allee 45 and, to inaugurate the new space, artists of Galerie Gisela Capitain and Friedrich Petzel Gallery have been invited to respond to the architecture, form, history and surroundings of the pavilion.
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Matthew Brannon & Wade Guyton 50 Moons of Saturn, T2 Torino Triennial, Turin, Italy – November 6, 2008 - January 18, 2009
I am the man of gloom-widowed-unconsoled
The prince of Aquitaine, his tower in riun:
My sole star is dead-and my constellation lute
Bears the black sun of melancholia.
Gérard de Nerval – "El Desdichado"
Curated by Daniel Birnbaum
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I am the man of gloom-widowed-unconsoled
The prince of Aquitaine, his tower in riun:
My sole star is dead-and my constellation lute
Bears the black sun of melancholia.
Gérard de Nerval – "El Desdichado"
Curated by Daniel Birnbaum
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Matthew Brannon Matthew Brannon, Galleria Gió Marconi, Milan, Italy – November 12, 2008 – January 31, 2009
On Thursday, the 12th of November, Gió Marconi Gallery is pleased to present Matthew Brannon's first solo exhibition in Italy, "Grandmothers," a show of all new work featuring a wall painting of a painting, a sculpture of a back stage, two new tapestries, and ten of his signature letterpress prints. After early, frustrated attempts at painting Brannon began to self-consciously test the limits of art and graphic design by creating prints that mimicked advertising in order to more directly address contemporary cosmopolitan lifestyle. In "Grandmothers" Brannon continues this exploration, humoring himself specifically with issues of ambition and compromise.
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On Thursday, the 12th of November, Gió Marconi Gallery is pleased to present Matthew Brannon's first solo exhibition in Italy, "Grandmothers," a show of all new work featuring a wall painting of a painting, a sculpture of a back stage, two new tapestries, and ten of his signature letterpress prints. After early, frustrated attempts at painting Brannon began to self-consciously test the limits of art and graphic design by creating prints that mimicked advertising in order to more directly address contemporary cosmopolitan lifestyle. In "Grandmothers" Brannon continues this exploration, humoring himself specifically with issues of ambition and compromise.
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Troy Brauntuch, Wade Guyton, Seth Price, and Heimo Zobernig The Art of the Real organized by Robert NIckas – September 27 – December 2008
The Art of the Real, Vanmoerkerke Collection, Belgium
The Art of the Real, Vanmoerkerke Collection, Belgium
Andrea Fraser Museum as Medium, Koldo Mitxelena, San Sebastian, Spain – October 23, 2008 - January 3, 2009
The Museum as Medium
Dialogues on Museum Language and Contemporary Art
This international Symposium seeks to provide insights on innovative forms of display, presentation and interpretation of art. Museums in the Twentieth century have been shaped by the vision of contemporary artists, curators, and educators who have searched for various strategies of communication with their audiences. More than simply existing as a static structure, museums have become a contextual language that has allowed for reflection, critique, and innovation in the artistic di
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The Museum as Medium
Dialogues on Museum Language and Contemporary Art
This international Symposium seeks to provide insights on innovative forms of display, presentation and interpretation of art. Museums in the Twentieth century have been shaped by the vision of contemporary artists, curators, and educators who have searched for various strategies of communication with their audiences. More than simply existing as a static structure, museums have become a contextual language that has allowed for reflection, critique, and innovation in the artistic di
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Andrea Fraser Conversations With Artists, The Phillips Collection Center for the Study of Modern Art, Washington DC – Wednesday, November 19, 2008, 5:30 p.m.
Andrea Fraser
Targeting the foibles of the art world- from notions of artistic authenticity to the implications of collecting- Andrea Fraser uses brash, irreverent video and performance as her ammo.
CENTER PROGRAMS ARE FUNDED BY THE BROWN FOUNDATION, INC., OF HOUSTON.
Free; registration required:
CSMAprograms@phillipscollection.org
or 212-387-2151 x286
1600 21st at Q Street, NW
Washington DC
www. phillipscollection.org
Andrea Fraser
Targeting the foibles of the art world- from notions of artistic authenticity to the implications of collecting- Andrea Fraser uses brash, irreverent video and performance as her ammo.
CENTER PROGRAMS ARE FUNDED BY THE BROWN FOUNDATION, INC., OF HOUSTON.
Free; registration required:
CSMAprograms@phillipscollection.org
or 212-387-2151 x286
1600 21st at Q Street, NW
Washington DC
www. phillipscollection.org
Charline von Heyl "Paintings", Ice Plant, Marfa, Texas – November 1 - 16, 2008
An exhibition of art by the Chinati Foundation's current artist in residence, Charline von Heyl, opens Saturday afternoon from 12-2 pm at the Ice Plant building on East Oak St., Marfa.
An exhibition of art by the Chinati Foundation's current artist in residence, Charline von Heyl, opens Saturday afternoon from 12-2 pm at the Ice Plant building on East Oak St., Marfa.
Charline von Heyl Westlondonprojects, London, England – October 15 - November 30, 2008
Westlondonprojects is pleased to announce the opening of the first UK solo exhibition of the New York-based painter Charline von Heyl. The show presents a series of large paintings and new mixed media works on paper. While the paintings exuberate a new interest in iconic presence, the works on paper are the result of the artist's recent exploration of new techniques, such as combining printing, drawing and collage processes.
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Westlondonprojects is pleased to announce the opening of the first UK solo exhibition of the New York-based painter Charline von Heyl. The show presents a series of large paintings and new mixed media works on paper. While the paintings exuberate a new interest in iconic presence, the works on paper are the result of the artist's recent exploration of new techniques, such as combining printing, drawing and collage processes.
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Charline von Heyl & Wade Guyton, Hammer Museum, Los Angeles, California Oranges and Sardines – November 9, 2008 – February 8, 2009
Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn,
Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher
Wool
Curated by Gary Garrels
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Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn,
Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher
Wool
Curated by Gary Garrels
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Maria Lassnig "WACK! Art and the Feminist Revolution", Vancouver Art Gallery, Vancouver, BC, Canada – October 4, 2008 - January 11, 2009
WACK! Art and the Feminist Revolution is organized by The Museum of Contemporary Art, Los Angeles. The exhibition is curated by Connie Butler, the Robert Lehman Foundation Chief Curator of Drawings at The Museum of Modern Art, New York.
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WACK! Art and the Feminist Revolution is organized by The Museum of Contemporary Art, Los Angeles. The exhibition is curated by Connie Butler, the Robert Lehman Foundation Chief Curator of Drawings at The Museum of Modern Art, New York.
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Maria Lassnig "Maria Lassnig", Contemporary Arts Center, Cincinnati – September 25 - January 11, 2009
Curated by Julia Peyton-Jones and Hans Ulrich Obrist in association with Rebecca Morrill. This exhibition marks the first solo show for Austrian painter Maria Lassnig in the United States.
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Curated by Julia Peyton-Jones and Hans Ulrich Obrist in association with Rebecca Morrill. This exhibition marks the first solo show for Austrian painter Maria Lassnig in the United States.
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Maria Lassnig "Life on Mars", 55th Carnegie International, Carnegie Museum of Art, Pittsburgh – May 3 - January 1, 2009
Are we alone in the universe?
Do aliens exist?
Or are we, ourselves, the strangers in our own worlds?
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Are we alone in the universe?
Do aliens exist?
Or are we, ourselves, the strangers in our own worlds?
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Allan McCollum São Paulo Biennial, São Paulo, Brazil – October 26 - December 6, 2008
Allan McCollum "Notation" at Akademie der Künste, Hanseatenweg, Germany – September 20 - Novemeber 17, 2008
The exhibition uses art works from all areas from 1900 to today in relation to: scores and notation systems literature, music, painting, choreography, architecture, photography, film and media arts. More than 450 pieces from more than 100 artists from international collections, the ZKM and the archives of the Academy of Arts will be shown.
The exhibition uses art works from all areas from 1900 to today in relation to: scores and notation systems literature, music, painting, choreography, architecture, photography, film and media arts. More than 450 pieces from more than 100 artists from international collections, the ZKM and the archives of the Academy of Arts will be shown.
Jorge Pardo & Philippe Parreno "Theanyspacewhatever", Guggenheim Museum, New York – October 24, 2008 – January 7, 2009
During the 1990s a number of artists claimed the exhibition as their medium. Working independently or in various collaborative constellations, they eschewed the individual object in favor of the exhibition environment as a dynamic arena, ever expanding its physical and temporal parameters. Using the museum as a springboard for work that reaches beyond the visual arts, their work often commingles with other disciplines such as architecture, design, and theater, engaging directly with the vicissitudes of everyday life to offer subtle moments of transformation.
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During the 1990s a number of artists claimed the exhibition as their medium. Working independently or in various collaborative constellations, they eschewed the individual object in favor of the exhibition environment as a dynamic arena, ever expanding its physical and temporal parameters. Using the museum as a springboard for work that reaches beyond the visual arts, their work often commingles with other disciplines such as architecture, design, and theater, engaging directly with the vicissitudes of everyday life to offer subtle moments of transformation.
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Jorge Pardo "Jorge Pardo: House", Museum of Contemporary Art, Cleveland – September 12 - December 28, 2008
Organized by the Museum of Contemporary Art North Miami, Jorge Pardo: House is the first comprehensive U.S. museum exhibition of Los Angeles-based artist, Jorge Pardo. Accompanied by an illustrated catalogue, this nationally touring solo exhibition spans Pardo's career to include more than seventy seminal works.
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Organized by the Museum of Contemporary Art North Miami, Jorge Pardo: House is the first comprehensive U.S. museum exhibition of Los Angeles-based artist, Jorge Pardo. Accompanied by an illustrated catalogue, this nationally touring solo exhibition spans Pardo's career to include more than seventy seminal works.
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Jorge Pardo "Eröffnung", Galerie Gisela Capitain, Köln – November 15 - December 23, 2008
Philippe Parreno "The Puppet Show", The Contemporary Museum, Honolulu, Hawaii – September 5 - November 23, 2008
International in scope, The Puppet Show brings together works by 27 contemporary artists who explore the imagery of puppets in sculpture, film, video, time-based media, animation, and photography.
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International in scope, The Puppet Show brings together works by 27 contemporary artists who explore the imagery of puppets in sculpture, film, video, time-based media, animation, and photography.
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Seth Price "Einzelausstellung", Kunstverein Köln, Köln – November 15, 2008 - January 4, 2009
Die „calendar paintings" des US-amerikanischen Künstlers Seth Price (geb. 1973, lebt und arbeitet in New York) enthalten Bilder der wenig bekannten amerikanischen Malerei aus der Zeit zwischen dem Ersten und Zweiten Weltkrieg sowie veraltete Computergrafiken und Werbung aus Zeitschriften, die mit Inkjet auf Leinwände gedruckt wurden. Diese Arbeiten, die in den Jahren 2003 und 2004 entstanden und nun erstmalig ausgestellt werden, bilden den Fokus der kommenden Einzelausstellung im Kölnischen Kunstverein. Seth Price präsentiert sie im Ausstellungsraum auf schwebenden Wandflächen.
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Die „calendar paintings" des US-amerikanischen Künstlers Seth Price (geb. 1973, lebt und arbeitet in New York) enthalten Bilder der wenig bekannten amerikanischen Malerei aus der Zeit zwischen dem Ersten und Zweiten Weltkrieg sowie veraltete Computergrafiken und Werbung aus Zeitschriften, die mit Inkjet auf Leinwände gedruckt wurden. Diese Arbeiten, die in den Jahren 2003 und 2004 entstanden und nun erstmalig ausgestellt werden, bilden den Fokus der kommenden Einzelausstellung im Kölnischen Kunstverein. Seth Price präsentiert sie im Ausstellungsraum auf schwebenden Wandflächen.
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Seth Price Altermodern: Tate Triennial, London – February 2 - April 26, 2009
The fourth Tate Triennial, curated by Nicolas Bourriaud, opens at Tate Britain in February 2009.
It will explore what 'modern' means now, in the globalised culture of the early 21st century. Bourriaud has come up with the new concept: 'Altermodern', and he uses this to describe art being made now that belongs to the global era and is a reaction against standardisation and commercialism.
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The fourth Tate Triennial, curated by Nicolas Bourriaud, opens at Tate Britain in February 2009.
It will explore what 'modern' means now, in the globalised culture of the early 21st century. Bourriaud has come up with the new concept: 'Altermodern', and he uses this to describe art being made now that belongs to the global era and is a reaction against standardisation and commercialism.
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Stephen Prina Monochrome Painting at haubrokshows, Berlin – September 7 – November 15, 2008
Stephen Prina's Monochrome Painting is an installation of fourteen canvases.
The canvases and their respective dimensions are modeled on famous
monochromes of recent art history and reference the Stations of the Cross.
All works are monochrome metallic green auto body paint on wood panel, and
were painted in an auto body shop (the paint, Papyrus metallic green, was
used by Volkswagen in 1985).
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Stephen Prina's Monochrome Painting is an installation of fourteen canvases.
The canvases and their respective dimensions are modeled on famous
monochromes of recent art history and reference the Stations of the Cross.
All works are monochrome metallic green auto body paint on wood panel, and
were painted in an auto body shop (the paint, Papyrus metallic green, was
used by Volkswagen in 1985).
Read More
Dirk Skreber Frans Hal Museum, Haarlem – December 6, 2008 - March 1, 2008
Dirk Skreber Museum Dhondt-Dhaenens, Deurle, Belgium – December 14, 2008 - March 3, 2009
Heimo Zobernig Tate St. Ives, Cornwall, England – October 4, 2008 - January 11, 2009
For this exhibition Zobernig has been invited to respond to both the building and the context of Tate St Ives. It will include new work, together with a number of important sculptures and paintings produced throughout his career.
curated by Martin Clark
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For this exhibition Zobernig has been invited to respond to both the building and the context of Tate St Ives. It will include new work, together with a number of important sculptures and paintings produced throughout his career.
curated by Martin Clark
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